New Mexico Art Tells its History

Spanish Village

Spanish Village, 1934    
William Lumpkins (American, 1909 - 2000)
watercolor and pencil on board with plaster    48 x 72 1/2 x 1 in. (121.9 x 184.2 x 2.5 cm)    
On long term loan from the Fine Arts Program, Public Buildings Service,
U.S. General Services Administration    

William Lumpkins was born on the Rabbit Ears Ranch in Clayton, New Mexico. His early education came from a tutor who instilled a lasting interest in Zen Buddhism in the young artist. When his education moved him to Roswell in 1924, he met Peter Hurd, and the two young artists spent much time sketching together with Hurd coaching Lumpkins in his early efforts. Lumpkins' abstract work began in early 1930, inspired by a group of watercolors by John Marin. When Lumpkins moved to Santa Fe in 1935, he met Raymond Jonson and became involved with the Transcendentalist Painting Group, committed to the philosophy that one achieved artistic fulfillment by going beyond sense experience into spiritual realms. Lumpkins, a key figure in the Santa Fe art community as both artist and architect, was also a pioneer of passive solar architecture and founded the Santa Fe Art Institute in 1985.

Lumpkins was a true “Renaissance man”, meaning he could do many different things well. He was a well-known modernist painter, a talented architect, furniture maker and teacher, an author, and a champion of passive solar adobe design well before anyone else. Lumpkins was born and raised on a ranch in eastern New Mexico and, after studying architecture briefly in California, a long term New Mexico resident.


For the full image, click on the Indian Village (left) or Anglo Village (center)  


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